A Visit to Doon Hill

In which I encounter fairies.

Clooties tied to trees on Doon Hill

It started as a typical forest walk in the Stirlingshire countryside. We passed the Old Kirk cemetery (of that, dear reader, you shall hear more close to Hallowe’en.) and set off past a few houses towards a path leading up the wooded mound that is Doon Hill. I have always wanted to visit because of its strange legend. A seventeenth-century clergyman, the Reverend Robert Kirk, is said to have either died or disappeared there after conducting lengthy research into the fairies that he believed lived on the hill. His spirit is said to reside in the ancient pine in the background of my photo (left).

As we climbed, we noticed the dirt path glittered with silver and purple metallic fairy silhouettes that previous visitors has strewn. This was just the start. After the short climb we arrived in the clearing at the summit and found all the trees and many bushes festooned with clooties, strips of cloth covered with handwritten wishes.

A clootie branch

Clootie wells and clootie trees are a fascinating part of Scotland and Ireland’s Celtic heritage. I couldn’t help but be touched by the variety of cloths tied to the trees and tiny talismans tucked into the moss.

Pilgrims had left letters in sealed plastic bags, half-burned candles, scraps of paper wedged between branches. The place was alive with visitors’ hopes and intentions. And even the mass-produced fairy figurines placed there seemed to have developed individual personalities.

One or two of them looked almost sinister in their hideaways of dead leaves. Under the green canopy of trees, the air was still and we felt far, far away from the town, which was only a fifteen minute walk away. We decided to head downhill along the same path we had climbed. But it became clear we were on a different path when we got to the bottom and found a grassy crossroads.

We agreed that we should turn right and set off. We came to a bend in the river which was so quiet and dark, I thought it was a pond. There were no footprints in our path, only hoof prints, and the reeds grew taller and taller. We could no longer see the town or hear traffic. Suddenly we turned around and saw that we had left Doon Hill behind. It loomed on the horizon as dusk began to fall. I wouldn’t say I panicked, but I felt distinctly odd. There was that slight ‘Blair Witch’ sense of having consulted the map, known where to go and still ended up someplace one shouldn’t. The idea that a fairy horse would come swooping down and take us away to meet Queen Mab would not have been out of place.

We quickly turned back. The hill took shape on our left and it felt like we were being watched by a thousand eyes. When we got to the crossroads, it was obvious that we were just a few paces away from the main path back to town. Somewhere behind us, the owners of those thousand eyes were laughing at us.

Borders Book Festival 2011

A fantastic literary festival in the beautiful Scottish Borders.

Queueing for an event

I had the pleasure of spending last weekend in the rainy, but gorgeous surroundings of the Borders Book Festival. As you can see from the photo, the festival is held in lovely Harmony Gardens, overlooked by twelfth-century Melrose Abbey.

Melrose Abbey

The Abbey is a stunning Gothic structure. It’s extremely atmospheric, especially when the weather is overcast. The cemetery adds to the moodiness, with its crooked, weathered monuments. In contrast, Harmony Gardens are full of bright flowers and small sculptures sited in various nooks and crannies.

Harmony House


We were treated to a great lunch and refreshments in Harmony House, which served as a ‘green room’ for authors. Being in this historic house gave us a chance to gather our thoughts before an event, soak up the atmosphere, chat with other guests and decompress after our talks. One of the nicest aspects about book festivals is socialising with readers and with other writers. The Borders Book Festival was particularly sociable! I was really thrilled to meet David Mitchell, whose Cloud Atlas is one of my favourite novels, as well as John Byrne, and to catch up with one of the festival’s ambassadors, Vivian French.

Setting up!

Here I am in my venue, decorated with bunting, getting set up for drawing with the audience. I am forever dragging around paper, art supplies and promotional materials and have a pretty good toolkit assembled now. We can draw pretty much anywhere! This event had a nice turnout and the children were fantastically imaginative. One of the best things about doing young people’s events is the buzz that gets going when they are excited by ideas. Every child left with at least one great drawing and I got to read to them from The Blackhope Enigma.

All in all, it was a very successful day and I really enjoyed seeing this lovely town for the first time. Big thanks to the organisers and patrons of the Borders Book Festival!

Dunure Castle and Labyrinth

A hidden gem on the Ayrshire coast.

I thought this would cheer up those of you who live in Scotland. We’re coping with rain, rain and more rain (which we’re grateful for on the one hand and depressed about on the other), while the Continent copes with heat, heat and more heat.

Way back when, there was a sunny day (May? June?) and we went to one of my favourite places on the west coast of Scotland, Culzean Castle (pronounced cull-ayn). The bluebells were very late this year and there were a few still hanging on in the wooded walkways.
I’d heard about a labyrinth nearby and we set off to find it in the late afternoon. You have to take the lovely coastal road north from Culzean and watch that you don’t shoot past the left turn down to Dunure.

In the village’s recreation area, we were astonished to come upon a ruined castle at the edge of the sea with a strange beehive-shaped dovecote next to it. But no sign of a labyrinth.
It took a few minutes and a few questions to learn that the labyrinth is down on the beach, under a steep cliff. None of the other visitors, picnicking next to their cars, seemed bothered to go down and walk it. But we did, of course.

Sea, rocks, castle ruins and blue sky. Twisting and turning around the labyrinth’s path all on our own.

Bliss.

Perthshire Open Studios

Get thee to the country this weekend!

It finally seems to have stopped raining in Scotland for more than five minutes. People ventured out in t-shirts today and realised that over the past rain-sodden month, summer had departed with nary a look over its shoulder.

It ain’t that warm, despite the sun. Still, it’s pretty operable weather to get out and about in. I suggest you take your peeps and your wheels to lovely Perthshire for their Open Studios before the last day this Sunday. My talented friend Angela Heidemann has opened her doors in idyllic Crook of Devon (great name). Read more on her blog.

The Robert Burns Banner Project

For those of you reading this from outside Scotland, the poet Robert Burns may be vaguely familiar from high school or college literature classes, as he was to me. Only when I moved to Scotland did I find out what a superstar Burns is in this country and to people all over the world who celebrate his January 25 birthday every year with a Burns Supper.

There are lots of activities happening in Scotland this year to celebrate Burns’s 250th birthday and one that has caught my attention is artist Stephen Raw’s Burns Banner Project.

Stephen is collecting handmade letters to make up selected verses of the Burns poem and song “A Man’s a Man for A’ That”. You can read the poem or hear it read and sung here, or take a look at this annotated version that has links to a glossary. Burns wrote in the Scots language, which has fantastic words to get your tongue around. You’ll be able to guess the meaning of some words: the abbreviated “‘a that” stands for “all that” and “hing” is “hang”. “Gie” is “give”…a word you hear every day in Glasgow! You’ll also hear “hamely”, which means “homely”.

The Burns Banner Project is coming to WASPS Studios in Glasgow on May 12, so if you are in the area, come by between 11am and 7pm and make your own letter. It might just be chosen.

But you don’t have to attend a workshop to submit a letter – check out other ways you can do so here. And check out the blog to see what others around the world have already made.

Bluebell Heaven

Happy May Day!

Every year I am moved by the reappearance (and reassurance) of spring’s return. In late winter the crocus and snowdrops promise the end of the snow, cold and dark times. Glasgow’s temperate climate means we see oceans of daffodils in early March, if not even a bit earlier, and then the time of tree blooming begins. Roads are lined with cotton-candy pink canopies over the fading banks of daffodils.
But to me, nothing is as glorious as the bluebell. By May the grass in certain places is carpeted with them. Ever since I saw the bluebell knolls in the Merchant-Ivory film, Howard’s End, I longed to see them for myself.
I got my reward when I moved to Scotland. Our garden blooms with them each year. But better than that, there are places so full of bluebells, I make a pilgrimage to see them whenever I can.

My top three bluebell places near Glasgow:

1. Inchmahome Priory. This small island in the Lake of Menteith is magical, not only for its ruined priory, but for its giant twisted trees and bluebell carpets. To get to the island you must wait for a boat to come and pick you up, if it is not already there. There is something enthralling about this. You feel almost like you are waiting for Charon the boatman to take you across the river Styx.

Inchmahome Woods by CS

Inchmahome Woods by CS

The path around the island twists and turns. The bluebells beckon you in, mysterious and seemingly infinite. The contrast of the bright green moss on the tree trunks and the blue violet of the flowers creates a sort of electricity to the eye, even on a moody day.

Once you have walked around the island, which does not take too long, explore the ruins. Look especially for the carved stone faces looking down from the five tall “lancet” windows in the eastern end of the priory church. And in the chapter house, you will find thirteenth and fourteenth century carved gravestones and effigies of the earls of Menteith.

2. Mugdock Country Park. This sprawling park is also a conduit to the West Highland Way, a walking trail that leads all the way to Fort William in the north. Mugdock Country Park’s woods are blanketed with bluebells at this time of year. My heart beats faster when I walk through. The colour makes the forest floor blue for such a short time and I want to drink it in before it’s faded.

3. The M8 westbound, by the Glasgow Cathedral exit. This is my most humble recommendation, but worthy nonetheless. As you drive west on this three lane highway, glance up at the hillside to your right and you will see patches of rogue bluebells, toughened by their exposure to the rough and tumble M8. Maybe they’re not quite as delicate, maybe not quite as enchanted, but they are there, and they might just lift the heart of the person who bothers to look for them.

The Story behind the Picture #1

All I have to do is walk in the countryside around Glasgow and I am convinced that we coexist with fairies. The Scottish landscape is full of magical corners, paths, trees and streams. These feed my imagination and fire up my drawing hand. You may already have heard of selkies and have seen them in the evocative film set in Ireland, The Secret of Roan Inish, but you may not have come across kelpies before.

I have been fascinated with kelpies ever since I found a Victorian travel gazette about Ireland from the 1840′s which described the Pooka, a type of kelpie, that apparently lived in a deserted island in the Kenmare River. Pookas, like kelpies, can assume different forms, including the “water horse”, a gigantic stallion that drags its victims down into lakes and streams. I have drawn and painted various versions of the pooka/kelpie and written a short story about it.

“Night Horse”, shown here, is a pastel drawing on Canson Mi-Teintes paper. The horse leaps over a classic Scottish tower house style castle at the edge of a loch and several croft houses.

Night Horse by Teresa Flavin

Night Horse by Teresa Flavin

This image hangs over my desk as I type and transports me out of my studio and into a starry Highland night.