What I’m Working on Now #5

Here’s the way I paint in acrylics..

Celestial Steed II by Teresa Flavin

Celestial Steed II (Before & After)

Things are flying here in the studio, even horses. I am busy writing the Next Book, but over the weekend I took a few hours off to work on some exclusive and top secret items for the launch of The Blackhope Enigma on July 1.


I find that making new artwork really gets my writing juices flowing. And the writing gets my drawing juices flowing! So it’s a win/win situation. Right now though, my priority is on writing, so the wee bits of artwork are like a refreshing short break.

My miniature mixed media paintings (about four inches square) have been selling nicely at the Art Exposure Gallery in Glasgow. As they recently sold the last one they had, I decided I would finish up the little flying horse that’s been sitting neglected in the studio. I thought you might be interested in seeing a before and after on this one. I work in acrylics on paper to start with. You can see on the top painting that I just slapped some bright wild texture down and painted a dark horse silhouette in Burnt Umber on top. With acrylics, you can work from dark to light, so I lightened up the horse to add mass and detail. Next, I very loosely brushed Cerulean Blue mixed with white over the red background, so that some still shows through.

I added some Naples Yellow into the Cerulean mix to give it a jade-like hue and worked some of that on top in places, kind of randomly. Then a bit more straight Cerulean in places…and then an even more yellow Cerulean/Naples mix in other places. On top of all that, I got some white into the golden-jade mix and scumbled that around the horse to make it glow. A couple of puffy white clouds appeared underneath to complete the scene.

Then came the fun, finger-painting part: with my fore finger, I dabbed and smeared gold wax gilt in places to make the whole painting sparkle.

I like working in layers and allowing the colour and texture of the underpainting to show through. The wax gilt catches onto the textures and highlights them, almost like raising fingerprints.

And, if you have been following this blog since I began it just over a year ago (!), you know that I love flying beasts, especially horses. But I will say goodbye to this horse and take him down to my friends at the Art Exposure Gallery, where you can pop in and have a look at him from Tuesdays to Saturdays from 12pm to 5pm.

What I’m Working On Now #2

More Magic Mirrors

Mariposa mirror by Teresa Flavin

Mariposa


I’ve been busy this past few days with new mirrors, and here are the fruits of my labours. Mariposa is the Spanish word for butterfly and I thought it made a nice motif and name for this lady. As with Morwenna, this “magic mirror” is roughly 25 centimeters square (that’s ten inches, Americans) and made of wood with a small mirror in the centre. One of the joys of working with wooden surfaces is the way you can scumble layers of paint over the grain, and every time a new layer goes on, a bit of the previous colour shows through. I start with a dark base coat (in this case Prussian blue) and work lighter and lighter layers on top. The last stage is working gold wax gilt into the surface, giving the whole thing a rich glow, which I am sure this photo does not represent well.

Philomela and the Nightingale mirror by Teresa Flavin

Philomela and the Nightingale


In the mirror to the right, I had decided to work the design around the centre. Having this character holding a bird appealed to me for some reason. After having sketched a generic bird, I came across a reference to the nightingale, which apparently is a symbol of love’s sweetness and pain. Philomela, a character from Greek mythology, was turned into a nightingale by the gods, so it seemed appropriate to name this lady after her.

What I’m Working On Now

Magic Mirrors

Morwenna Sketch by Teresa Flavin

Morwenna sketch

One of the themes I love working with is “enchantment”, both in my writing and artwork. One tends to feed the other. While I am painting something, bits of story ideas float around somewhere in my unconscious mind. Sometimes I just have to stop painting and write for a while to get it down on paper.

While the next novel’s plot ferments in my head, I am painting a series of acrylic paintings on paper and wood that have a fantasy feel to them. Six of these pieces are wooden frames with mirrors in them. I like to think of them as Magic Mirrors.

The first one I am posting here is called Morwenna. She’s a dark character I sketched while I was leading a workshop recently for Young, Gifted and Talented teenagers in Keswick, Cumbria. I thought she’d look interesting on a mirror.

I don’t know why she came to mind. Maybe it was because the students and I were chatting about how wildly popular vampire novels for teens are at the moment (Morwenna seems a bit vampiric, but I don’t think she is really).

Morwenna Mirror by Teresa Flavin

Morwenna Mirror

Here’s the finished painting. Yes, in real life the mirror is square, but I had to photograph it obliquely so I wouldn’t catch my own face in the reflection!

Morwenna Sketch by Teresa Flavin

Detail

I am working on the second and third mirrors now and I’ll post them when they’re ready.